Original released film title on the poster. English-speaking countries released title. IN: 26 x 36= CM: 65 x 89. ROLLED, USED TO BE FOLDED. The film premiered in the USSR on March 24, 1965. In 1965, the film received the Main Prize The Lion of St. Mark at the XVII Venice International Film Festival in the program of films for children and youth. For the role of Marfushi, the Czech Ambassador Yaroslav Bashta presented Inna Churikova with Masaryk’s silver medal. Frost won the Award of Excellence for Best Family Screenplay from the US Cinematography Advisory Board. Steven Spielberg assures that Frost was the forerunner of many Hollywood film masterpieces. 1966 – All-Union Film Festival – Prize for the best film in the section of children’s films. The old man and the old woman have two daughters. The old man’s daughter is beautiful and kind Nastenka, and the old woman’s daughter is freckled and rude Marfushka. The old woman makes Nastya work, and the old man obeys his wife in everything. A beautiful, but narcissistic guy Ivan, a widow’s son, lives in the same area. He leaves home and goes on a journey – to look for a bride for himself. Ivan is attacked by a gang of robbers, but he throws their clubs into the sky. Then Ivan meets the Old Man-Borovichka, who gives him a bow and arrows, but instead of gratitude, the guy answers him rather impolitely. Finally, he comes to the bank of the river, where he sees Nastenka, who, on the instructions of her stepmother, waters a dry tree stump. He boasts to Nastya of his strength and, as proof, decides to shoot the bear with the cubs. Unable to withstand such heartlessness, Nastya puts a bucket on Ivan’s head, and the Old Man-Borovichok turns his head into a bear’s. Thinking that Nastya did it, Ivan curses her and runs away. The old man Borovichok leaves an inscription on the stone for Ivan: If you weren’t ignorant, you wouldn’t walk with a bear’s face. Ivan wants to return to his previous state and get rid of the bearish appearance. To do this, he needs to do good deeds, but everyone is afraid of him and runs away; in despair, the guy breaks his favorite mirror. Only a blind grandmother accepts his help, after which she calls him a handsome man. For this, the Old Man-Borovichok turns him back into a human. Meanwhile, the old woman prepares her daughter for the matchmaking. She smears Nastenka with soot and covers her head with a torn rag so that it does not attract attention. At first, the trick works, but then the guests ask Marfushka to cook goose giblets. Trying to catch a goose, Marfushka falls into the water. The makeup is washed off her, and the false braid comes off, and only Nastenka saves her. The groom immediately refuses Marfushka and marries pretty Nastenka, from whom the water washed away the soot and rags. However, the evil stepmother does not allow anyone to marry Nastenka, and in the winter, desperate to betray Marfushka, she orders the old man to take Nastenka to the forest and leave it to freeze. The old man dutifully carries his daughter, but then decides to endure any cruelty from the old woman, rather than ruining Nastenka, and turns home. Nastenka, fearing that her stepmother will kill her father from the light for this, imperceptibly jumps off the sleigh and remains in the snowy forest. At the same time, Ivan walks through the forest in his summer clothes and calls for Nastya. By chance, he goes to the hut on chicken legs, where Baba Yaga lives. Ivan asks her to help him find Nastenka, but Baba Yaga orders the living trees to grab Ivan and put him in the oven. Ivan invites Yaga to show him how to get on the shovel correctly, and then suddenly he puts it into the oven, from where he gets it later – for a reward. Yaga gives him a guiding sled, and he runs after them in the snow – to Nastenka. Baba Yaga sends a black cat after her to destroy her. Morozko walks through the winter forest. Under one of the fir trees, he discovers a freezing Nastenka and tests her with cold, but in response he hears only words of humility and kindness. On a self-propelled sleigh, Morozko takes Nastenka to his tower, where he tells her a dangerous secret: Whoever touches my staff will never wake up. The guiding sled leads Ivan into the pit. In the mansion, Nastenka, trying to pet the black cat, touches the freezing staff and falls asleep in an icy sleep. Her dog Tyapa senses trouble and rushes into the forest. He pulls Ivan out of the pit, and together they run to the tower of Frost. Ivan asks the frozen Nastenka for forgiveness for the offense, and she comes to life. Richly endowed with Frost, smart Ivan and Nastenka ride three horses to Nastenka’s home. Marfushka shouts that she also wants a groom and wealth, and the old man takes her to the same place where he recently left Nastenka. Morozko finds Marfushka there. Rude Marfushka declares: Quickly serve the groom and the dowry. Ivan, Nastenka and Tyapa continue their journey in the troika. In the forest, they are attacked by a gang of robbers, already familiar to Ivan, who were bribed by Baba Yaga. They tie Nastenka to a tree, and Yaga promises Ivan payback for the shovel. Ivan scatters the robbers, and Babe-Yage puts a stupa on his head and drives him away. To complete the rout, clubs fall on the villains, which Ivan had thrown into heaven in the summer. The stepmother makes plans for how Morozko will give her daughter, and then Marfushka enters the village on a sleigh pulled by three pigs. Her dowry is a chest with crows. The whole village laughs. The old man shows character and puts the old woman in her place, and Ivan and Nastenka are having a wedding in Morozka’s mansion. Aleksandr Khvylya, Natalya Sedykh, Eduard Izotov. Member of the Union of Artists of the USSR (since 1963). Honored Artist of Russia (1997). Was born in Moscow. Graduated from the Moscow Art Institute named after V. Surikov in 1960 with a degree in poster. He studied with famous teachers M. Vasily Ostrovsky made a significant contribution to the development of Russian poster in all its genre manifestations. At the beginning of his career in the 1960s, he gained fame, working in film posters. He executed posters for such films as “9 days of one year”, “Jamilya”, “An ordinary miracle”, “The Deer King” and many others, and were highly appreciated by the audience and artistic community. Ostrovsky also worked in the field of social and political posters, collaborated with the publishing houses “Fine Art”, “Soviet Artist”, “Poster” – “Panorama”. Author of film posters: “On the Threshold of Life” (1961), “9 Days of One Year” (1962), “Seven Nurses” (1962), “Vienna Woods” (1962), “How Toasts Are Born” (1963), To Me, Mukhtar! ” (1964), “A Man Walking Through the Wall” (1964), “Frost” (1965), “An Ordinary Miracle” (1965), “Happy Holidays, Girls! (1966), Children’s Film Festival. Cartoon-66 “(1966), ” Solidarity, peace, friendship! (1968), The Diamond Arm (1969), The Stolen Month (1969), The Golden Boy (1969), The Kid and Carlson (1969), The White Sun of the Desert (1970), The Wedding (1970), The Deer King (1970) and others. Author of political posters: “Dexterity, beauty, health” (1960), “We affirm forever the union of science and labor” (1965), Glory to the people – the winner! ” (1973), “We will grow a worthy replacement for our famous athletes! ” (1973), “I benefit from training: I will be strong, I will be agile! ” (1973), “The people and the party are one! All for the elections to the Supreme Soviet of the USSR! ” (1974), “Let the atom serve peace, not war! ” (1974), “Take care of your native nature” (1975), “Let’s preserve cultural monuments! Let’s restore what was destroyed! ” (1976), “Land reclamation – the fields! ” (1977), “Glory to Peaceful Labor” (1977), “Constitution of the USSR” (1978), “Broader Front of Scientific Works” (1978), “BAM – All-Union Shock Komsomol Construction Project” (1979), “April 12 – Cosmonautics Day 1980; jointly with V. Karakashev, “Human health is a common property” (1982), “Glory to Labor” (1982), “April 12, Cosmonautics Day” (1982), “Glory to Peaceful Labor” (1984), Happy New Year! ” (1984), “April 12 – Cosmonautics Day! ” (1985), “Do not destroy yourself! “; triptych “Constitution of the USSR (1978). He constantly participated with his posters and graphics in all major exhibitions, all-Union, Russian, Moscow and group. Held two personal exhibitions. Participant of the 1st, 2nd and 6th Biennials in Warsaw and other international exhibitions and competitions. Ostrovsky’s work has been awarded numerous diplomas and awards. In the 90s, being the chairman of the poster section and a member of the board of the Moscow Union of Artists, he initiated the organization and participated in several exhibitions of topical socio-political posters, representing the author’s, civic position of Moscow poster artists. The works of V. Ostrovsky, reviews about them in the mass press and special editions were repeatedly published, several of them were included in the major edition Russia XX Century. The history of the country in a poster. Ostrovsky taught the discipline “Poster” at the Department of Graphic Art. Being a high-class professional with a bright creative personality, he managed in a relatively short time to instill in students an understanding of such a specific genre of fine art as a poster. This is evidenced by the fairly large-scale participation of his students at the 7th All-Russian exhibition of posters in Voronezh in 2005, at the All-Russian and Moscow International exhibitions, as well as at the jubilee (75 years of the Moscow Union of Artists) Exhibition of Moscow poster artists in 2007. In general, more than thirty students of V. Ostrovsky were able to show their posters at exhibitions and competitions of a fairly high level, which was marked with diplomas and prizes. No less significant is the creative contribution of Vasily Ostrovsky to the art of graphics. He created several cycles of drawings, formed as a result of constant and long-term work. These are landscapes, still lifes, nudity, portraits, etc. The artist was fluent in various graphic techniques and materials. Among them are gouache, sepia, sanguine, ink – brush, pen, pencil. Over the past few years and at the present time, V. Ostrovsky has been working on a series of drawings based on the subjects of ancient mythology. Ostrovsky’s circulation posters are in the State Museum of Political History of Russia (GMPIR), the State Central Museum of Cinema (GTsMK), the Volsk Museum of Local Lore (VKM), the Gelendzhik Museum of History and Local Lore (GIKM), the Memorial Museum of Cosmonautics, the Museum of the History of Kronshtadt, Rybinsk Museum-Reserve, Saratov Regional Museum of Local Lore (SOMK), Stavropol State Museum-Reserve (SGMZ), Nevyansk State Historical and Architectural Museum (NGIAM), Novomoskovsk Historical and Art Museum (NIHM), OIHM im. IN Kramskoy, Central Air Force Museum, private collections; originals – in the Yaroslavl Art Museum (YAHM), the State Literary Museum. Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60. This item is in the category “Art\Art Posters”. The seller is “soviet.posters” and is located in this country: UA. This item can be shipped worldwide.
- Size: Medium (up to 36in.)
- Region of Origin: USSR
- Handmade: No
- Artist: OSTROVSKIY VASILIY IGOREVICH (1936-2012)
- Framing: Unframed
- Country/Region of Manufacture: Russian Federation
- Featured Person/Artist: Sean Connery
- Custom Bundle: No
- Style: Art Deco, Fantasy, Russian
- Material: Paper
- Theme: Art, Fairy Tales, Fantasy, Movies
- Personalize: No
- Type: Poster
- Title: MOROZKO
- Features: Unframed, 1st Edition, Limited Edition
- Subject: Film, Advertising, Fantasy, Movies, Adventure Time, Fairies, Family
- Certificate of Authenticity (COA): No
- Culture: USSR
- Signed: No
- Listed By: Dealer or Reseller
- Original/Licensed Reprint: Original
- Year of Production: 1965
- Date of Creation: 1960-1970
- Width (Inches): 26
- Unit of Sale: Single-Piece Work
- Color: Multi-Color
- Height (Inches): 36