Original film title (on the poster). IN: 22 ³/?? x 35 = CM: 56 – 88. ROLLED, USED TO BE FOLDED. Original Soviet official poster. (first released of the film in USSR). For the movie ” Tretya Raketa ” – is a Soviet full-length black-and-white feature film about the Great Patriotic War, staged at the Belarusfilm studio in 1963 by director Richard Viktorov based on the story of the same name by Vasil Bykov. The film premiered in the USSR on September 16, 1963. The film is set in Belarus during the Great Patriotic War. The German offensive breaks through the defenses. The Soviet troops retreated, and the crew of the anti-tank gun is cut off from their troops for three days. Fate brought together different people in one front-line trench; they had to withstand the attacks of the troops of Hitlerite Germany. In a difficult atmosphere of constant mortal danger, human characters are revealed.. More than 600 movie posters, including for Sovexportfilm. The earliest known poster of Grebenshchikov is dedicated to the advertisement of the Izhevsk spring mineral water (1936). In 1947 he began to work in the field of political posters, together with G. Verite he drew a poster for the famous film “Circus” (1947), in 1949 – for the film “Foundling”. Subsequently, he was constantly engaged in movie posters. One of the most significant film poster makers of the 50s-80s. He worked in the field of social and political posters, collaborated with the State Publishing House “Art”. The author of the posters: Long live the 32nd anniversary of the Great October Socialist Revolution! ” (1949), “Glory to the excellent calculation! ” (1950), “Breed Vladimir Heavy Trucks! For the publishing house of the Main Directorate of Film Hire – “Glavkinoprokat” made a poster “Kotovsky” (1951). (1967), performed together with the poster artist E. Abezgus; author of the poster Your Father went from battle to battle, so let the warrior of peaceful years burn like a memory over… Most of all, the artist was engaged in advertising posters of feature films for the publishing house “Reklamfilm”, they brought him fame: “School of Courage” (1954), “Noble Nest” (1969), “Communists” (1969), “The Dawns Here Are Quiet” (1972), “At will” (1973), “Torpedo bombers” (1983), “Optimistic tragedy” (1987). Grebenshchikov’s circulation posters are in the collection of the Isofond of the RSL the Russian State Library, formerly named after V. Lenin, the funds of the Museum of Cosmonautics, and private Russian and foreign collections. Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60.