Original film title (on the poster). THE SIXTH OF JULY. IN: 26 x 42 = CM: 66 x 103. FOLDED, USED TO BE FOLDED. The release of the film was timed to coincide with the 100th anniversary of the birth of Lenin. The film is based on real historical events and is dedicated to the 50th anniversary of the suppression by the Bolsheviks of the Left SR revolt that took place in Moscow during the Civil War. 1968 – a special prize of the international jury of filmmakers at the XVI International Film Festival in Karlovy Vary (Czechoslovakia) – for a truthful, dramatic reflection of the most important historical events. 1970 – Diploma of the State Committee of the USSR for Cinematography and the Union of Cinematographers of the USSR at the IV All-Union Film Festival (VKF) in Minsk – for the ideological and artistic merit and great success with the audience of the film. V Rossii idot Grazhdanskaya voyna i interventsiya, vsyudu golod i razrukha. 4 iyulya v Moskve otkryvayetsya V Vserossiyskiy syezd Sovetov rabochikh, krest’yanskikh, krasnoarmeyskikh i kazach’ikh deputatov. V ryadakh revolyutsionerov nachinayetsya raskol. Levyye esery delayut popytku vyrvat’ vlast’ iz ruk bol’shevikov. Po trebovaniyu fraktsii levykh eserov k deputatam obrashchayetsya s plamennoy rech’yu predstavitel’ podpol’nogo ukrainskogo krest’yanskogo syezda Aleksandrov. On prizyvayet sobravshikhsya golosovat’ za otkaz ot pozornogo Brestskogo mirnogo dogovora. Posle vystupleniya Lenina, dokazyvayushchego nevozmozhnost’ v usloviyakh katastroficheskoy nekhvatki sil vesti voynu s Germaniyey, bol’shinstvom golosov syezd prinimayet rezolyutsiyu fraktsii bol’shevikov, odobryayushchuyu deyatel’nost’ Sovnarkoma. 6 iyulya Tsentral’nyy komitet Partii levykh eserov sobirayetsya na ekstrennoye zasedaniye. Dlya razryva nepriyemlemogo, s ikh tochki zreniya, dogovora prinimayetsya resheniye o fizicheskom ustranenii germanskogo posla grafa Mirbakha. Ubiystvo posla sluzhit znakom k nachalu vosstaniya. Odno za drugim v rukakh napadavshikh okazyvayutsya zdaniya vazhneyshikh gorodskikh sluzhb. Na storonu myatezhnikov perekhodyat nekotoryye nakhodivshiyesya v Moskve voinskiye chasti. Arestovany Dzerzhinskiy i Latsis. Iz Yaroslavlya prikhodit soobshcheniye o myatezhe, vozglavlyayemom Savinkovym. K vecheru, ispol’zuya posledniye rezervy, bol’sheviki otpravlyayut delegatov syezda v trudovyye kollektivy dlya massovoy agitatsii i organizatsii zashchity goroda. Vsem predel’no yasno, chto dlya effektivnogo protivodeystviya nuzhny ne slabo obuchennyye dobrovol’tsy, a organizovannaya voyennaya sila. Na rassvete v gorod vstupayut chasti Latyshskoy strelkovoy divizii. Missiya Danishevskogo, otpravlennogo na peregovory, zavershilas’ uspeshno. Posle neskol’ko chasov tyazholykh boyov levoeserovskiy myatezh podavlen. 9 iyulya 1918 goda V Vserossiyskiy syezd Sovetov rabochikh, krest’yanskikh, krasnoarmeyskikh i kazach’ikh deputatov vosstanavlivayet svoyu rabotu. Show more 1908 / 5000 Translation results The year is 1918. In Russia there is a Civil War and intervention, hunger and devastation everywhere. On July 4, the V All-Russian Congress of Soviets of Workers, Peasants, Red Army and Cossack Deputies opens in Moscow. A split begins in the ranks of the revolutionaries. The Left SRs are trying to wrest power from the hands of the Bolsheviks. At the request of the Left SR faction, Aleksandrov, a representative of the underground Ukrainian peasant congress, addresses the deputies with a fiery speech. He calls on the audience to vote for the rejection of the shameful Brest peace treaty. After Lenin’s speech, proving the impossibility of waging a war with Germany in conditions of a catastrophic shortage of forces, by a majority vote, the congress adopted a resolution of the Bolshevik faction approving the activities of the Council of People’s Commissars. On July 6, the Central Committee of the Left Socialist Revolutionary Party meets for an emergency meeting. To break the treaty, unacceptable, from their point of view, a decision is made to physically eliminate the German ambassador, Count Mirbach. The assassination of the ambassador serves as a sign of the beginning of the uprising. One after another, the buildings of the most important city services are in the hands of the attackers. Some of the military units in Moscow are going over to the side of the rebels. Dzerzhinsky and Latsis were arrested. From Yaroslavl comes a message about the rebellion led by Savinkov. In the evening, using their last reserves, the Bolsheviks send delegates to the congress to work collectives for mass campaigning and organizing the defense of the city. It is clear to everyone that effective countermeasures require not poorly trained volunteers, but an organized military force. At dawn, units of the Latvian rifle division enter the city. The mission of Danishevsky, who was sent for negotiations, ended successfully. After several hours of heavy fighting, the Left SR revolt was suppressed. On July 9, 1918, the V All-Russian Congress of Soviets of Workers, Peasants, Red Army and Cossack Deputies resumes its work. He worked in the publishing house “Reklamfilm” since the 50s, a master of photo-montage film posters. Author of the poster “Man from Nowhere” (1961). During the war he worked in the editorial office of the newspaper “Narodny Avenger”. Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60. Listing and template services provided by inkFrog.