Russian title on the poster. Literally English translated title. IN: 28.1/2 x 40 = CM: 72.5 x 101. Original vintage poster (from the first release of this film in Soviet Union – 20 March 1960) for the Soviet movie – “Weisses Blut” (released for English-speaking countries as “White Blood”) – Based on the play of the same name by Harald Hauser. In the center of the film is the fate of an officer of the Bundeswehr army, Manfred von der Lohe, who received radiation sickness while testing an atomic weapon. The film was planned to be screened at the festival of children’s films in Cannes, but censorship suspected that Leonov’s character was a hint of Khrushchev, and by the decision of the commission headed by Chairman Sergei Mikhalkov, the film was not admitted to the festival and was released in a small print run under the fourth rental category (5-10 copies from the original), which was tantamount to putting the film on the shelf. It turns out he was exposed to radiation in an atomic bomb test and is terminally ill. He is supposed to go to South America with his wife Eleonore. The two refuse and go to the doctor Professor Soltau, a specialist. Soltau is an opponent of nuclear weapons and thus a declared opponent of the Parochlitz family. He reveals from the fire that he doesn’t have much longer to live. At an international press conference they stand together against nuclear armament. Christine Laszar, Jürgen Frohriep, Herbert Dirmoser Werner Pledath and Marga Legal. Member of the Union of Artists of the USSR. He lived in Moscow. Since the beginning of the 60s he worked a lot and fruitfully in the field of film posters, created many interesting sheets, including for very famous films: “Under the Sky of Sicily” (1961), “Come Tomorrow” (1963), “Republic Shkid” (1966), “Quiet Don” (1967), “Officers” (1971), “Property of the Republic” (1972), “Pirates of the XX century” (1980). Collaborated with the publishing house IZOGIZ. Performed agricultural posters, including together with the artist E. Pozdnev (“Hello to the participants of the All-Union Agricultural Exhibition”, 1955). In 1958 he took part in the large-scale exhibition “Posters and Satire in 40 Years in the Works of Moscow Artists”. In the 1960s and 1970s, Aleksandr Lemeshchenko performed social and political posters: “The country’s winged defense is famous for its high rise” (1967, together with SI Datskevich), “Leninism is the banner of the era of revolutionary revelation of the world” (1969). Lemesheno worked in the creative-production workshop “Agitplakat” of the USSR Union of Artists, was a member of its editorial board. The author of the poster dedicated to space The air distances became close to us, we were the first to know the way into space. Under the banner of the party, our country is striving into the vastness of communism! He also worked a lot and fruitfully in the field of film posters. He worked until the end of his life, in 1984 he died in Moscow. Circulation posters of Lemeshchenko are kept in the Russian State Library, in private Russian collections. The works of Alexander Mikhailovich are capacious and at the same time laconic. Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60. 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