Original film released title (on the poster). English speaking released title. THE STORM OVER ASIA. IN: 26 x 41 = CM: 65 x 103. ROLLED, USED TO BE FOLDED. Original Soviet poster for the movie ” Burya nad Aziey ” is a black and white Soviet film directed by Kamil Yarmatov. The film opens the historical-revolutionary trilogy of Kamil Yarmatov (“Storm over Asia”, “Horsemen of the Revolution” and “Death of the Black Consul”). The idea to make a film was suggested to the director by the communist leader of Uzbekistan Sharaf Rashidov. The image of Yalantush was copied from a real historical character – the commander of the partisan detachment Hamdam-haji Kalandarov, in which the future director served. For the film, Yarmatov received in 1967 the State Prize of the Uzbek SSR named after I. The young man Jamal comes to his native village, but sees how some intruders burn and rob his uncle’s house. After a short fight, he is led to the leader of the band of robbers, who is called Yusup Yalantush. The leader says that he takes revenge on the White Tsar, burns and plunders the beys, but gives everything to the poor. In response, he asks Jamal to tell his story. He says that he was a prisoner in 876 and spent six months in a Petrograd prison, but got out thanks to the February Revolution. Walking down the street, he took part in the lynching of the gendarme, who managed to wound him before his death. Instead of returning home, I had to spend some time in the hospital. Due to Kerensky’s coming to power, there was a raid in Aktyubinsk and Jamal had to get home on his own. The young man calls on the people not to rob and burn what already belongs to them. Yalantush decides to check Jamal and orders him to hang his own uncle, who is from the rich. Here he remembers the name of Lenin, which earns the respect of Yalantush. “Good horseman” – this is the characteristic that Jamal receives. Jamal takes part in a meeting of the Tashkent Revolutionary Committee, at which the issue of requisitioning bread in favor of the starving is being decided. Local bai Kaflanbek takes his grain, and accuses Yalantush of theft. Jamal goes to his friend and finds him competing in a fight. Yalantush kidnaps Kaflanbek and wants to kill him, but Jamal demands that everything be in accordance with the revolutionary law. As a result, Kaflanbek is shot, but his son Aziz wants blood revenge. In the meantime, there is news about the October Revolution, but the General refuses to recognize the new power and the rights of the Revolutionary Committee. “Contra” is fortified in the citadel. Yalantush comes to the aid of the revolutionaries, who pretends to go over to the side of the General and even receives the rank of colonel, but then opens the gates of the citadel. Kaflanbek’s son Aziz in the uniform of a Russian non-commissioned officer kills Yalantush with a pistol shot. Shukur Burkhanov, Ruslan Akhmetov, Anatoliy Solovyov. KOVALENKO IVAN LEONTYEVICH (1919 – 2002) Artist, graphic artist, poster artist. Member of the Union of Artists of the USSR. Honorary Cinematographer of Russia. Born in the Poltava region, in a peasant family. Graduated from the Moscow State Academic Art School in memory of 1905. Served in the Soviet Army. I met the war in Minsk. He fought on the Belorussian front, near Moscow and Leningrad. In 1941, Sergeant Ivan Kovalenko trained signalmen at the headquarters of Marshal Zhukov. The Marshal personally awarded Ivan Leontyevich a personalized watch. Since 1956, a member of the Union of Artists of the USSR. Collection of movie posters 50-80. Works by Ivan Leontyevich Kovalenko are in the Florida Museum of Cinematography, USA. Honorary Filmmaker of Russia. He was awarded the Order of the Patriotic War of the 2nd degree, medals: “For military services”, “For the defense of Moscow”, “For the capture of Koenigsberg”, jubilee. In 1945, Ivan Leontyevich moved to Moscow. Having not received a professional art education, he masters the art of an artist on his own, and begins to work in the field of film advertising in “Reklamfilm” and in the cinema “October”. He created a large number of movie posters of the 1950s-1980s. For the films “Wounded”, “The Star and Death of Joaquin Murieta”, “Train Out of Schedule”, etc. For some time he taught at advanced training courses for film poster artists. Kovalenko becomes a member of the Union of Artists of the USSR. He was awarded the title of “Honorary Cinematographer of Russia”. He is the founder and permanent leader of the only film poster school in the country. There are works in Moscow – in the Russian State Library and the Museum of Cinema, in the Museum of Cinematography of the United States (Florida), in the collection of the White House administration (Washington), they are also in the collection of our gallery. The favorite pictorial theme of Ivan Leontyevich throughout his entire work was the theme of man’s coming – before life, before death, before eternity. His paintings make one think about the future life, and about the life of the past, about a brief moment in the present. The artist is distinguished by his mastery of the drawing technique. The color always emphasizes the mood and idea of?? the piece. Bold compositions, vivid images, a constant search for new solutions, an appeal to the archetypes of consciousness (the image of the Motherland: a church, a girl in a field, a rowan branch) distinguish Kovalenko from his contemporaries, realist artists. The artist paints abandoned, deserted places, destroyed churches, forcing the viewer to think about the difficult fate of Russia. The feeling of pain from the loss of loved ones, friends, compatriots was reflected in his works, full of quiet sadness and sadness. But, despite all this, the sadness of his work is light. Writing in the last years of his life with a heart filled with kindness and love, the artist gave all of us a piece of himself. A quiet lyrical note, which begins to sound in the most remote corners of the viewer’s soul, continues to delight him even after the review of the exhibition is over. The artist was sent down a unique talent to give people joy. Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60. 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