Original film title (on the poster). ????? 100?????? DON’T HAVE 100 RUBLES. IN: 28 ¹? /?? x 38 ³? /?? = CM: 73.5 – 98. Original official poster for Soviet Film Ne imey 100 rubley… Is a Soviet artistic musical comedy staged at the Lenfilm studio in 1959 by director Gennady Kazansky. The title is coming from the first part or Russian folk proverb: “??????????????? , ?????????????? “. In English version: “Better a hundred friends than a hundred rubles” or “A friend in court is better than a penny in purse”. SOME INTERESTING FACTS: Initially, this film was to be shot by Eldar Ryazanov, who by that time had already created the film Carnival Night in collaboration with screenwriters Boris Laskin and Vladimir Polyakov. It was he who came up with the original name – Don’t have a hundred rubles! However, at the very last moment, Ryazanov refused to shoot in favor of the film “A Girl Without an Address”, which brought on many problems. The filmmaker considered that “a mediocre, gray, uninteresting picture would bring much more harm to everyone”. A number of scenes were filmed in Tiraspol. In particular, the Tiraspol House of Soviets in one of the episodes acts as the building of the Ministry of Finance, where the heroes of the film bring the found treasure. The director of the local history museum Ivan Andreevich Bazhanov becomes the owner of the Old Russian testament, according to which there is an ancient treasure not far from a small town. Bazhanov, being an enthusiast of his business, together with his neighbor – an amateur driver Gulyaev – goes to look for treasures. On the way, they decide to give a lift to the city of the girl Nadia, who has excellent vocal abilities. Soon they come across an eccentric woman-biologist Koretskaya, who lags behind the bus. Friends decide to give her a lift too. But the circumstances are such that both Nadya and Koretskaya become members of an expedition to search for ancient treasures. Soon the treasure hunters meet funny musicians and a cameraman, whom they also decide to take with them. But it turned out that the will was fake and was drawn up by order of the deputy Bazhanov – an uncultured bourgeois who wants to “sit up” his boss and, during his absence, take his place. Nevertheless, treasure hunters find ancient Russian treasures, and the most precious thing – sincere friendship and great human love. Kheifits Mikhail Issokhorovich (1915 – 1985). 1915 Born in the village of Novye Sanzhary, Poltava province. 1940 Graduated from the Moscow Institute for Advanced Studies of Artists. 1948 Beginning of work at Reklamfilm. The first posters were executed jointly with L. Since 1956 Artist of the creative association “Agitplakat” and the Institute of Health Education. 1976 Bronze medal at the International Health and Education Poster Competition in Bologna. 1985 Died in Moscow. Author of articles on posters, published in special magazines. Major works: “Quality – common concern” (1976), Each pipe – a filter! Marx “(1978), ” Technical re-equipment of industry – the most important task of the tenth five-year plan “(1978), ” Take care of working time (1978). Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60. 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