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Has fold lines small tares but would flatten out and still look very nice framed – small rate fixed w tape 1 on back. Anne Baxter Steve Forrest. 26 1/2 x 40 1/2 in.

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You are Witnessing a Rare and Exquisite Piece of Japanese Cinematographic History. This poster was sourced and imported directly from part of a private collection in Osaka, Japan. Each specimen is genuine, officially licensed, and would pass all checks of authenticity from a professional collector. Please be aware that due to their age, these posters exhibit signs of wear which add to their authentic vintage charm and further prove veracity. Possible signs of wear may include yellowing of the paper, rips or tears, creases and slight fading, stains and other imperfections consistent with age. These characteristics are inherent to genuine vintage items and do not detract from their collectible value. Some may even name it as paper patina. Expertly presented on a pristine, decorative ornamental rug, the poster is elegantly accented by sleek black bean bags that both enhance its vintage allure and secure its corners, counteracting the natural resistance of the rolled print to lie flat. Please note: The rug, beanbags, and antique tailor? S tape shown for display purposes are not included in the sale. Please note that the provided measurements may be slightly inaccurate. Please note that the tailor? S tape displayed may exhibit age-related characteristics, such as slight shrinkage, gentle folds from being less than fully extended, or a minor misalignment with the poster’s edge. B2 Japanese Sizing: approximately 51.5cm x 72.8cm (20.3 inches x 28.7 inches). B3 Japanese Sizing: approximately 36.4cm x 51.5cm (14.3 inches x 20.3 inches). This item is only one gem from our curated collection of vintage treasures. Acquire a captivating fragment of vintage Japanese cinematic art today, and let its storied past enrich your collection. Thank you for your interest, and we encourage you to browse our other listings for more extraordinary vintage finds.

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Original Russian title on the poster. IN: 21 x 35 = CM: 53.5 x 88.5. Original vintage poster (from the first release of this film in Soviet Union – 30 August 1967) for the Soviet. Movie – “???????????? ” (released for English-speaking countries as “The Unforgettable”) – a large-format feature film directed by Yulia Solntseva, filmed based on military stories of Alexander Dovzhenko about the struggle of the Ukrainian people against the German fascist invaders. The film was shot with the participation of the troops of the Kiev military district. The German army occupied the territory of Ukraine. The fate of the Soviet people is illustrated by the example of the Chaban family, whose head Petro Chaban accompanied his five sons to serve in the Red Army. When the Germans came to the village, in order to be able to help the underground and partisans, Petro became the headman of his village. For passing information to the partisans, he was captured and thrown into a prisoner of war camp. After killing policeman Maxim Zabrod, who was guarding the camp, he seizes a weapon, escapes and joins the partisans together with the other escaped. Here she meets her friend, the partisan Christia, from whom she learns that her father is a commander in one of the partisan detachments. Petro’s wife, Tatyana Chaban, hid Soviet pilots shot down over their village at home, but on a police denunciation, the wounded soldiers and a brave woman were seized. The pilots were shot, and their defender was hanged next to the house. After learning about what happened, her husband and children take a solemn oath to beat the enemy until complete victory over him. The Red Army is recapturing its native land, among the Red Army men going on the offensive, Olesya meets her beloved Vasil, about whom she had no news all this time. Despite the terrible pictures of devastation and desolation, the heroes of the tape have no doubt that a peaceful life will inevitably come into its own. Evgeniy Bondarenko, Zinaida Dekhtyaryova, Irina Korotkova, Yuri Fisenko, Georgiy Taratorkin. Perkel Grigory Zulevich (1939 -). Was born in Vinnitsa, Ukraine. 1964 Graduated from the Lenin Moscow Pedagogical Institute, Faculty of Art and Graphics. Performs posters on various topics. Since 1969 He has been actively working in a circus poster. 1969 Awarded with a diploma for the best film poster of the year. Resides in the USA since 1977. “Artist Grigory Perkel or Gregory Perkel – a state within a state” – this is the impression I made from the new documentary film by Semyon Pinkhasov “Out of the box”. The film was first selected for the Rutgers University New Jersey Documentary Film Festival. And then it was shown at the New York Festival of Russian Documentary Films. This is a film about an artist who emigrated from the Soviet Union to the United States. About a man who transplanted himself from one soil to another at the mature age of 37. About a man who always felt internally free, but also wanted to be independent. About a man who managed to do a lot by the age of 37, but could and wanted to do more, and this was impossible in Soviet conditions. The author of the film, Semyon Pinkhasov, managed to go far beyond the bounds of a purely biographical film about a talented artist: he spoke about the philosophy of a creative person who was transferred from one world to another, but did not adapt to the new world, but adapted the new world to himself. Of course, it is much more difficult for an artist to live without taking into account the conjuncture and market demands. But it is easier to breathe. Grigory Perkel was born in 1939 in Vinnitsa. Then evacuation to the Urals. From evacuation – to Moscow, where he grew up, studied at school, received a higher art education. He worked in book graphics, was the author of movie posters, theater and circus posters, animator, theater artist. Created lithographs on Jewish themes. In the second edition of the six-volume book by Sholem Aleichem (in black binding), he illustrated “Wandering Stars”. “I entered the Jewish theme in search of my roots, ” Grigory Perkel explained to me in an interview. This is his foundation, a starting point for further creativity. Hence my interest in the Jewish theme, hence the lithographs “Song of Songs”, “Simchat Torah” and others. I met Perkel when, as an artist, he was designing the play “The Bewitched Tailor” at the Mosconcert Jewish Drama Ensemble. It was he who suggested the director Felix Berman a figurative solution to the performance, showing him sketches of scenery and costumes. The performance made a splash in Moscow. Jewish emigration began to gain momentum. The iron curtain rose a little, and a trickle of USSR citizens who dreamed of a different citizenship flowed into the gap. The first refuseniks appeared, leading Hebrew circles around their apartments. On the holiday of Purim, home performances (purimshpil) were staged based on the plot of the book of Esther with political overtones. Georgian, Bukhara, Lithuanian, Transcarpathian Jews have already moved to Israel. Moscow Jews thought whether to apply for departure or not. Those who are bolder participated in seeing off the pioneers and asked for a challenge. Doubters gathered information about what could be taken out. And at such a time the performance in Hebrew “The Bewitched Tailor” based on the story of Sholem Aleichem comes out: bright, musical, full of desperate fun. The auditorium of the Sovetskaya Hotel on Leningradsky Prospekt was full of the audience. People went to the performance as if it were a holiday, and after the performance they went out into the street and did not leave for a long time with joyful excitement. The writer Felix Kandel, inspired by the performance, wrote a lyrical and philosophical essay in the spirit of the biblical parable “The Enchanted Theater”. For this work, he wanted to collect additional material, and since we had known each other for a long time, I brought him together with the actors – participants in the play, among whom was my mother, Nehama Sirotina, a former actress of GOSET. Since in those years the theater hall of the hotel “Sovetskaya” was constantly occupied by the gypsy theater “Romen”, and the Jewish drama ensemble of Mosconcert performed in clubs and on stages that were free that day, the Jewish actors joked sadly (this joke is cited by Felix Kandel): We lived! Gypsies have their own theater, and Jews roam. I’m not sure, but I think that it was then, after this production, that Grigory Perkel decided to emigrate. He himself told me that the idea of?? emigration had arisen earlier, when he was directly confronted with state anti-Semitism. According to the author of the film “Out of the Box” Semyon Pinkhasov, until 1977, that is, before emigrating to the United States, Grigory Perkel represented Soviet culture, and now he represents American culture. But I would say that Perkel, both in the first half of his life and in the second, represents only his own culture. He is the same cat that walks by itself, all the time on a hot roof. This is probably why his works are recognized in different countries and hang in the largest art galleries and museums in Russia and America. I do not want to be tied to any land. These are the words of a free man who has finally become independent. Perkel himself calls himself an American artist from Russia. But, in my opinion, a true artist belongs not to the country in which he was born or lived, but to the whole world, Art. Even nurtured by the art school, tradition, history, culture of any country, he, like a real Master, breaks away from his land and soars above the world, like in Marc Chagall… But back to the documentary “Out of the Box”, the hero of which, the artist Grigory Perkel, has been busy in recent years creating beauty from the ugly: from cardboard packaging boxes picked up in a supermarket. From this material with multi-colored names of goods, products and companies, the artist cuts out and glues amazingly beautiful mosaic compositions without painting on anything. In the film, he explains this period of creativity with his sense of the time in which he lives. Previously, he lived in the land of myths, in the Soviet Union, where they were “brainwashed” by communist propaganda and created the myth of an almost paradise state. In America, as it turned out, myth-making also flourishes, but this is done by corporations that advertise their products. Perkel says: With my art, I oppose any form of brainwashing, any idolatry. That is why the artist took on the task of transforming advertising and company logos on cardboard boxes into art, into a mosaic of whimsical patterns and colors. If Shakespeare exclaimed: “The whole world is a theater, and we are all actors in it, ” then Perkel seems to say: The whole world is a shop, and we are all buyers and sellers in it. Unfortunately, this also applies to art, which is also a commodity. Does an artist like this world? But we live in it. And this world is reflected in the work of Perkel. Reflected and transformed: even out of garbage, out of cardboard boxes discarded as unnecessary, you can create something alive that decorates our life. The creation of mosaics is just another stage in the work of Grigory Perkel. The artist is surprisingly diverse: portraits, still lifes, lithography, drawings, graphics, art photography, distinguished by a rare sense of composition… He is interested in himself, but we are interested in him. Perkel is what in America is called self made, that is, literally made himself. He should not be grateful to anyone, did not ask anyone and does not ask for help. But these are HIS mistakes, and he does not blame anyone for them, he overcomes difficulties himself. With a difficult character. He says what he thinks. Because of this, he sometimes loses friends. No, not friends, but acquaintances. Well, the fewer of them, fake ones, the more time to work. But the real ones understand him and talk about it in the film. These are curator Anna Ragulina and Russian history specialist Amy Knight, artist-photographer Ricardo Barros, art critic Catherine Sommers and pianist Vladimir Feltsman… On the territory of the state of New Jersey, in South Brunswick, far from the noise of the city, Gregory Perkel built for himself a large house with a spacious, very bright workshop. This is his state, his world, which he dreamed of. The windows overlook the entire wall of the lawn, beyond which the garden. No neighboring houses can be seen behind the trees. For guests, the hospitable owner brings ripe vegetables and fruits from his plot, and his wife Natasha, who has a peculiar oriental beauty, immediately prepares salads and serves them on the table. Everything in this house is real, like the owner himself, like his paintings, mosaics, photographs… By the way, about Natasha Perkel. In America, she worked for 30 years as a cartographer for the New York Times. Its own profession, its own good salary. However, the work of the artist’s wife will be more difficult. I don’t know which of them chose whom 50 years ago, but the marriage turned out to be extremely successful. According to Grigory Perkel himself, Natasha is an ideal wife for an artist: she very precisely feels when she should appear next to him, and when she should leave and not interfere. To be able to leave the artist alone with his work, to treat with anxiety and understanding the inspiration that has visited the artist – not every wife has enough wisdom and sensitivity for this. The same applies to a husband if his wife is a person of a creative profession. So Grigory Perkel managed to build harmonious relations in the family. The unhurried reflection of the author of the film about the place of the artist in the modern world, about art and about life is greatly helped by the music of Chopin performed by Vladimir Feltsman. It is also striking that the director was able to carefully show the wonderful works of Grigory Perkel in the film lasting just over half an hour, especially in the final, because the artist speaks well about his art and about himself, but his paintings speak of him even better. Semyon Pinkhasov very well chose the title “Out of the Box” for his film. And the point is not only that for several years Grigory Perkel has been working on a mosaic for which fragments of colored cardboard boxes cut out by him served as the starting material. These works awaken the imagination of the viewer: some see them as flocks of birds, others – fish, others – the dream of a patient with fever, the fourth plunge into the artist’s expression, the fifth admire the pattern. In a word, everyone perceives Perkel’s work in his own way, but it is impossible not to notice it, not to stand in thought. And in the subtext of the name, another thought is guessed: the artist Grigory Perkel jumped out of the box into the world of art, like a devil out of a snuffbox, like a gin out of a bottle, and no one will be able to drive him back. Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60. Listing and template services provided by inkFrog.

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Original released film title on the poster. English-speaking countries released title. THE DEATH OF TARZAN. DRAMA, WAR, COMEDY, FANTASY. IN: 26 x 40 ³/? = CM: 65 x 103.5. ROLLED, USED TO BE FOLDED. Original Vintage Soviet movie poster for the film: ” THE DEATH OF TARZAN ” (Original title: Tarzanova smrt) – A dark comedy about a half-wild creature from the African jungle, which has been identified as a heir of the noble family, set in Germany in the 1930s, shows that in certain circumstances, people behave worse than animals in the jungle. The film exposes the ruthless world of capitalism, the insurmountable contradictions of which have led the peoples to a fratricidal war. The film is set in Germany in the thirties, when the Nazis came to power. The hero of the film Wolfgang von Hoppe, “Tarzan”, who grew up in the jungle among the animals, where only the strongest is right, finds himself in the civilized world. At first it seemed to Wolfgang that Truth and justice reigned in the human world. But soon he becomes convinced that this civilized world is no different from the world of animals, and “Tarzan” dies.. He was born in 1915 in Moscow into a family of musicians. His father, Karaim Iosif Savelyevich Shamash, a violinist, played at the Evpatoria Theater. Mother – Maria Shamash, pianist. As a child he showed interest in drawing. Later, for three years, he took painting and drawing lessons from the famous artist RR Falk. After the beginning of the Great Patriotic War he was mobilized. He served in the art workshop of the Red Army House. Title – foreman, position – artist. He worked on the design of visual agitation for parts of the front in the air defense forces, in particular, on the illustrations to the book “Memoir of Moscow”, intended for the air defense units of the capital. From 1946 he worked as a poster artist in the Reklamfilm workshop. Author of about 500 movie posters, including films by A. Romm (“Pomegranate Bracelet”), I. Heifitz (“Lady with a Dog”), M. Kalatozov (“Faithful Friends”), S. Bondarchuk (“War and Peace”) , etc. Shamash’s works were exhibited at all-Union and international exhibitions. At the same time he was a journalist. He was a member of the MOSH, the Union of Journalists and the Union of Cinematographers of the USSR. He also collaborated with the State Joint Stock Company “Intourist”. He died in 1987. Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60. Listing and template services provided by inkFrog.

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Original Russian film title on the poster. Released title for English speaking countries. DIRECTED BY: TATYANA BEREZANTSEVA. IN: 24¼ x 34¼ = CM: 62 x 87. Original vintage Soviet movie poster. From the first release of the film in Soviet Union. 22th of May 1961 for the film. Soviet color feature film directed by Tatiana Berezantseva, based on the story of the same name by A. Filming was conducted in Gagra, on the coast of Lake Ritsa and in the mountains. The plot of the film is based on the confrontation between two outstanding personalities – Laevsky and von Koren. Each of them has its own principles, its own position in life. Member of the Union of Artists of USSR. Born in Moscow in 1932. In 1948 entered the Art Industrial School of Kalinin. In 1952 began working as an artist at the cinema “Hudozhestveny” in Moscow. In 1954 entered the All-Union State Institute of Cinematography “Art Department”. In 1955 began working at the publishing house “Reklamfilm” also crated political posters. Draws and illustrates books for Ukrainian publishers. Yuriy Tsarev artworks captivate the viewer with their simplicity, honesty, brevity, and… Posters of Tsarev are represent in the Russian State Library and the Museum of Cinema, in many large museums in Russia and in other private collections. Listing and template services provided by inkFrog.

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Original Russian title on the poster. Released title for English speaking countries. IN: 22 x 34 = CM: 54.5 x 86. ROLLED, USED TO BE FOLDED. Included in the Cultural Canon of Latvia. Riga of the 20s. But the bricks were not exported – the raw materials turned out to be unusable. Soon the domestic market began to refuse such a product. YUDIN JOSEPH ABRAMOVICH 1920 -? – Graphic artist, engraver, poster artist, the chief editor of the “Reklamfilm” publishing house, Head of delegations of Soviet film posters at exhibitions abroad. Performed film posters: “A Marriage of Convenience” (1958), “Meeting a Dream” (1963), “Stration’s Daughter” (1964), “From the Life of a Loafer” (1973), “On the Night of a Lunar Eclipse” (1978), “Atonement other people’s sins “(1978), ” Crazy Bullet “(1980), ” Big-Small War “(1980), ” Additional Trail “(1981), ” The Prince of the Seven Seas “(1982), ” They sat on the golden porch “(1986), “Resentment” (1987). Collaborated with the publishing houses “Planeta” and “Plakat”; the author of social and political posters: Dear fathers, we go steadfastly! ” (1972), “Happy holiday, sailors! ” (1973), “Glory to the heroic Armed Forces of the Soviet Union! ” (1973), “Be a Jack of All Trades! Yudin’s art posters are present in the State Central Museum of Cinema, the Nevyansk State Historical and Architectural Museum (NGIAM), and private collections. Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60. Listing and template services provided by inkFrog.

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Original Russian title on the poster. DATSKEVICH SERGEY IGNAT’EVICH. IN: 26 x 41 = CM: 64 x 104.5. ROLLED, USED TO BE FOLDED. Is a 1964 Soviet feature film directed by Vsevolod Voronin based on the novel of the same name by N. The film tells about the Antonov uprising in the Tambov region. At a safe apartment in Tambov, former police chief Antonov (Afanasy Kochetkov) and a former member of the Constituent Assembly, kulak Storozhev (Pyotr Glebov), meet. They learn that the Central Committee of the Socialist-Revolutionary Party has created the Union of the Working Peasantry, and begin to assemble a detachment of kulaks, dissatisfied with the Soviet regime, White Guards and deserters. At the initial stage, the armies under the leadership of Antonov achieve significant success. After the suppression of the Kronstadt mutiny in March 1921, Tukhachevsky (Alexei Golovin) embarks on decisive hostilities against Antonov. The defeat of the uprising is a foregone conclusion, almost all of its leaders were killed, and ordinary soldiers, suffering hunger and hardship, massively surrender under the announced amnesty. And only one Storozhev continues to wander around his village alone. Datskevich advertised film dramas, film adaptations, and comedy films with equal success. Datskevich’s works were addressed to a new spectator capable of thinking, brought up on the aesthetics of the thaw period. Member of the Union of Cinematographers of the USSR and the Union of Artists of the USSR. 1919 Born in the town of Pyatikhatka, Yekaterinoslavskaya province. Graduated from the Kiev Art College. From 1948 he worked for the “Reklamfilm” studio. One of the leading masters of Soviet film posters, he constantly worked in this field. He also sang political posters. 1977 Died in Moscow. Datskevich’s posters are in the Russian State Library, in the Museum of Cinema – Moscow and in other collections. The artist was an innovator in the creation of a symbolic image. The first of them – in the poster for the film adaptation of the novel by N. Ostrovsky “How the Steel Was Tempered” (“Pavel Korchagin”), Datskevich created already in 1956, ahead of the masters of the political poster by several years. And here he exactly followed the cinematography, which endowed objects of the human environment with a significant value. Unlike the film poster of the 1920s, where the subject, the detail was read exclusively as part of the montage “phrase” of the poster, in the 50s – 60s these elements play the role of the basis of the poster image and a link between the realities of the film and advertising. His work reflected the processes characteristic of the art of the “thaw”: the artist shifted the emphasis from “advertising” to commenting, from utilitarian tasks to aesthetic ones, he asserted the intrinsic artistic significance of film posters. Datskevich’s works were addressed to a new viewer capable of thinking, brought up on the aesthetics of the “thaw” time. Datskevich devoted three decades of his life to his beloved art. In the 60s and 70s, the master continued to embody many ideas that were not realized in a short period. Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60. Listing and template services provided by inkFrog.

]]> https://vintagemovieposters.name/2024/10/loneliness-1964-soviet-ussr-vintage-historical-drama-film-movie-cinema-poster/feed/ 0 https://vintagemovieposters.name/2024/10/ugryum-river-1969-big-soviet-russian-ussr-vintage-drama-film-movie-poster/ https://vintagemovieposters.name/2024/10/ugryum-river-1969-big-soviet-russian-ussr-vintage-drama-film-movie-poster/#comments Fri, 11 Oct 2024 07:30:06 +0000 https://vintagemovieposters.name/2024/10/ugryum-river-1969-big-soviet-russian-ussr-vintage-drama-film-movie-poster/ Read more]]>





Original film released title (on the poster). English speaking released title. IN: 26 x 41 = CM: 66 x 103. ROLLED, USED TO BE FOLDED. Original Soviet poster for the movie ” Ugryum-reka ” is a Soviet four-part television feature film directed at the Sverdlovsk Film Studio in 1968 by director Yaropolk Lapshin. The film is an adaptation of the novel of the same name by Vyacheslav Shishkov. Diploma “For serial film adaptation” – Yaropolk Lapshin, 1969, VTF. Vasiliev Brothers State Prize (1970, to actress Lyudmila Chursina for her roles in the films Virineya, Zhuravushka, Gloom River). The action takes place in the late 19th – early 20th centuries around the Gromov family. The grandfather of the main character of the film, Danila Gromov, was engaged in robbery and became rich on this. Prokhor Gromov turned out to be a purposeful person with a strong character, which led him to the pinnacle of wealth and power in the Siberian region. However, the evil done by Danila seemed to persecute the whole family in all generations. Misfortunes in the Gromov family happen one after another. Prokhor, originally an honest and moral man, is bogged down in a swamp of evil. Unable to withstand emotional turmoil and hard work, Prokhor eventually goes crazy and throws himself off the cliff into the river. Afanasy Kochetkov, Victor Chekmarev, Georgy Epifantsev, Valentina Vladimirova, Lyudmila Chursina. KHOMOV NIKOLAY MIKHAYLOVICH (1903 – 1973) Famous artist, an outstanding master of poster. Honored Artist of the RSFSR. Created over 500 film posters from 1926 to 1973. The father of the film poster artist Daniil Khomov. 1903 Born in the Polish city of Chelm in the Krylov settlement the settlement is part of the city behind the fortress wall, there lived artisans, burghers, Jews (the oldest Jewish community in Poland) Chelm – 25 km from the border with Ukraine. Graduated from the Art and Industrial School in Mariupol. During the Civil War he was in the ranks of the Red Army. From 1926 he worked in film posters. 1928 Graduated from Vhutein in Moscow. He fought in the Great Patriotic War. As a reserve officer (quartermaster of the third rank – captain), he fought as a private because of the loss of documents at the military registration and enlistment office. He went from the south to the baltics and ended in Königsberg, and during the civil war he fought as a volunteer in the cavalry. He was awarded an order and medals, as well as thanks from the command. Not a single wound in two wars. Since 1964 Honored Artist of the RSFSR. 1973 Died in Moscow. Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60. Listing and template services provided by inkFrog.

]]> https://vintagemovieposters.name/2024/10/ugryum-river-1969-big-soviet-russian-ussr-vintage-drama-film-movie-poster/feed/ 0 https://vintagemovieposters.name/2024/10/pingwin-1965-ussr-soviet-poland-drama-romance-film-movie-cinema-vintage-poster-2/ https://vintagemovieposters.name/2024/10/pingwin-1965-ussr-soviet-poland-drama-romance-film-movie-cinema-vintage-poster-2/#comments Thu, 10 Oct 2024 19:28:46 +0000 https://vintagemovieposters.name/2024/10/pingwin-1965-ussr-soviet-poland-drama-romance-film-movie-cinema-vintage-poster-2/ Read more]]>




Original Russian film title on the poster. Released title for English speaking countries. IN: 21? X 34? = CM: 55 x 88. Original vintage Soviet movie poster. From the first release of the film in Soviet Union. “Pingwin” – Polish black and white feature film from 1964, directed by Jerzy Stefan Stawinski. The film was shot in Warsaw (including the University of Technology, Zbawiciela Square, Teatralny Square, Nowy Swiat, Krakowskie Przedmiescie, Bielanska Street). The film was dubbed at the Gorky Film Studio in 1965. A very shy and inconspicuous student of the Warsaw University of Technology, Andrzej, known as the “Penguin” (Andrzej Kozak), tries to win Baska Oraczewska (Krystyna Konarska). Unfortunately, Baska does not pay attention to him. The girl seems to like the company of “banana youth”. At a youth party, the pampered only child, Adas Baczek (Wojciech Duryasz), who sets the tone for this environment, humiliates BaEka, who does not react to his advances. Adas calls his friend Lukasz Brody (Zbigniew Cybulski), who, at his request, reads out fragments of letters from Baska, who is in love with him. Laughed, BaEka runs away, and Andrzej defends her and decides to recover and return the letters. Soon Adas Baczek is kidnapped and the kidnapper demands a ransom. Andrzej discovers that the kidnapping case has been faked. Lukasz Broda, a petty crook, had his fingers in the alleged kidnapping. Andrzej is badly beaten by Lukasz’s buddies, but gains Basia’s favor. KOVALENKO IVAN LEONTYEVICH (1919 – 2002) – Soviet Ukrainian Artist, graphic artist, poster artist, Member of the Union of Artists of the USSR. Honorary Cinematographer of Russia. Born in the Poltava region, in a peasant family. Graduated from the Moscow State Academic Art School in memory of 1905. Served in the Soviet Army. I met the war in Minsk. He fought on the Belorussian front, near Moscow and Leningrad. In 1941, Sergeant Ivan Kovalenko trained signalmen at the headquarters of Marshal Zhukov. The Marshal personally awarded Ivan Leontyevich a personalized watch. Since 1956, a member of the Union of Artists of the USSR.. Collection of movie posters 50-80. Works by Ivan Leontyevich Kovalenko are in the Florida Museum of Cinematography, USA. Honorary Filmmaker of Russia. He was awarded the Order of the Patriotic War of the 2nd degree, medals: “For military services”, “For the defense of Moscow”, “For the capture of Koenigsberg”, jubilee. In 1945, Ivan Leontyevich moved to Moscow. Having not received a professional art education, he masters the art of an artist on his own, and begins to work in the field of film advertising in “Reklamfilm” and in the cinema “October”. He created a large number of movie posters of the 1950s-1980s. For the films “Wounded”, “The Star and Death of Joaquin Murieta”, “Train Out of Schedule”, etc. For some time he taught at advanced training courses for film poster artists. Kovalenko becomes a member of the Union of Artists of the USSR. He was awarded the title of “Honorary Cinematographer of Russia”. He is the founder and permanent leader of the only film poster school in the country. There are works in Moscow – in the Russian State Library and the Museum of Cinema, in the Museum of Cinematography of the United States (Florida), in the collection of the White House administration (Washington), they are also in the collection of our gallery. The favorite pictorial theme of Ivan Leontyevich throughout his entire work was the theme of man’s coming – before life, before death, before eternity. His paintings make one think about the future life, and about the life of the past, about a brief moment in the present. The artist is distinguished by his mastery of the drawing technique. The color always emphasizes the mood and idea of?? the piece. Bold compositions, vivid images, a constant search for new solutions, an appeal to the archetypes of consciousness (the image of the Motherland: a church, a girl in a field, a rowan branch) distinguish Kovalenko from his contemporaries, realist artists. The artist paints abandoned, deserted places, destroyed churches, forcing the viewer to think about the difficult fate of Russia. The feeling of pain from the loss of loved ones, friends, compatriots was reflected in his works, full of quiet sadness and sadness. But, despite all this, the sadness of his work is light. Writing in the last years of his life with a heart filled with kindness and love, the artist gave all of us a piece of himself. A quiet lyrical note, which begins to sound in the most remote corners of the viewer’s soul, continues to delight him even after the review of the exhibition is over. The artist was sent down a unique talent to give people joy. Listing and template services provided by inkFrog.

]]> https://vintagemovieposters.name/2024/10/pingwin-1965-ussr-soviet-poland-drama-romance-film-movie-cinema-vintage-poster-2/feed/ 0 https://vintagemovieposters.name/2024/10/the-sisters-ussr-1955-drama-film-original-soviet-russian-vintage-movie-poster-2/ https://vintagemovieposters.name/2024/10/the-sisters-ussr-1955-drama-film-original-soviet-russian-vintage-movie-poster-2/#comments Wed, 09 Oct 2024 19:25:46 +0000 https://vintagemovieposters.name/2024/10/the-sisters-ussr-1955-drama-film-original-soviet-russian-vintage-movie-poster-2/ Read more]]>







Original title on the poster. IN: 25 x 39 = CM: 64 x 100. Original vintage Soviet poster (from the first release of this movie in Soviet Union – February 1955) for the Czechoslovakian film – “Frona” also known as “Sestry” (Czh), “The Sisters” (Engl). Much has changed in the Czechoslovak countryside during the years of people’s power. The kulaks (reach family) have lost their former power, poverty and the need of land-poor peasants are a thing of the past. But they still have a strong attachment to their field, to their border. They are skeptical about the success stories of agricultural cooperatives. The former owners of the village play on this attachment to the old. One of them is the former kulak Zobach G. Where by cunning, where by bribery Zobach tries to keep the boundaries. He consoles himself with the thought that the people’s republic will not last long, that the old order will be restored and, as before, half of the village will work on its fields. Against the background of the struggle between the new and the old, an acute conflict is brewing in the Zobach family. His son Florish Y. Pantik is married to the daughter of a poor peasant, Filipek. Hard-working, strong Frona G. Chelkova is a godsend for the old man Zobach. The whole burden of housework falls on her. Frona does not like her husband, who spends almost all the time in the tavern, but she expects to receive a plot of land from Zobach and therefore works, sparing no effort. Frona is even ready to sacrifice her feelings for the simple peasant guy Yuro O. Latskovich, whom she has secretly loved for a long time. Zobach knows Frona’s cherished dream and, playing on her hopes of getting “his” land, holds it tightly in his hands. Flourish hates and fears his father. He is sure that the past is over, that there will be no return to the old. If not for his father, Flourish would have blown the whole household long ago. The Zobach family is opposed in the film by the old Filipek, the chairman of the cooperative F. All his life he worked tirelessly, but did not acquire much wealth. His only joy is his daughters: the elder Frona and the younger Marisha M. Stepekalova, who is studying at the courses of tractor drivers. Hana Hegerová, Gustav Hilmar, Július Pántik. KHAZANOVSKIY MIKHAIL NAKHMANOVICH (NAUMOVICH) (1912 – 1990) – Soviet graphic artist, poster artist; He is best known as a master of film posters. Member of the USSR Union of Artists. Honored Artist of the RSFSR (1964). He worked in the field of easel graphics, advertising and political posters Women and girls! Let’s replace the men who went to the front! In 1945 the artist moved to Moscow. In the 1940s-1980s, he constantly worked in the field of propaganda posters, including social and political ones. Author of posters: Okno-TASS No. 48, Pies and donuts. Bruises and bumps “(1943), ” Be equal to the leaders, earn the award of the Motherland! ” (1948), “Builders of mining villages! Wider socialist competition for the early fulfillment of the annual plan for the construction of residential buildings for miners! Serviceable mechanisms will ensure the timely completion of construction work, increase workers’ earnings… “(1950), ” Follow the military regulations – be smart and brave! ” (1954), “Schoolchildren get skills in manual labor! ” (1955), “We need to learn to work – the work of the master is afraid! ” (1955), “Building life on virgin soil! ” (1955), “Let’s Clear the World! ” (1960), “For freedom and independence! ” (1973), “The Communists are the Standard Bearers of the World! Made several social posters together with the artists M. “, “Builders of mining settlements! He is the author of the agricultural poster Where the veterinary service is in friendship with the people, the cows are always healthy there! Poster For the Loads of Agriculture – Green Street! ” was positively assessed by critic ML Ioffe in his article “Campaign posters on agricultural themes” Journal “Art No. One of the leading masters of the film poster genre in the USSR. Collaborated with the publishing house “Reklamfilm”. Author of posters for famous films: “The House I Live In” (1957), “The Communist” (1958), “The Idiot” (1958), “The Last Inch” (1959), “Colleagues” (1963), “Alive and dead “(1963), ” Ordinary Fascism “(1965), ” Workers’ Village “(1966), ” Chief of Chukotka “(1966), ” By the Lake “(1970), ” Pirates of the 20th Century “(1980), ” Tehran- 43 “(1981). Mikhail Khazanovsky won 1st prize at the International Competition for Contemporary Film Poster (1962, Karlovy Vary). Diplomas of the Moscow branch of the Union of Artists of the USSR for the best posters of the year (1965, 1966, 1967). Khazanovsky are kept in the collection of the Russian State Library, the State Museum of Political History of Russia, the State Central Museum of Cinema, the Voronezh Regional Museum of Local Lore (VOKM), the Yaroslavl Art Museum, the Vyborg United Museum-Reserve, the Gelendzhik Museum of History and Local Lore, the Central Museum Taurida (WTC), KGIAMZ them. ED Felitsyn, the National Library of Belarus, private Russian and foreign collections. Some movie posters at the turn of 1940-50. Created in collaboration with L. From the unity of democratic anti-imperialist forces of the world, from their determination to fight for peace and security, for genuine democracy and socialism depends the future of the world. DIMITROV Dimitrov Georgi Mikhailov (1882 – 1949) is an activist of the Bulgarian and international communist movement. Dimitrov was called the “Bulgarian Lenin” and the leader of the Bulgarian people. After his death, he built a mausoleum in Sofia, like Lenin’s. In: 23×35 – cm: 57×87. Listing and template services provided by inkFrog.

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