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Vintage Russian Soviet Movie Poster. Size – approximately 27 inches x 19 inches, 68cm x 48cm. Medium – print on cardboard. Condition – got wears and scratches, folded across. I have presented for sale this item precisely and honestly with the best of my knowledge and ability. I encourage you to look at my other auctions for a great variety of rare items. I want to tell you that not every time is possible items to be packed together. Every item is packed carefully and professional. We advise you to use a reputable carrier service when returning your goods. We usually respond within 24 hours on weekdays. Thank you for visiting our.

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Original film title (on the poster). ????? 100?????? DON’T HAVE 100 RUBLES. IN: 28 ¹? /?? x 38 ³? /?? = CM: 73.5 – 98. Original official poster for Soviet Film Ne imey 100 rubley… Is a Soviet artistic musical comedy staged at the Lenfilm studio in 1959 by director Gennady Kazansky. The title is coming from the first part or Russian folk proverb: “??????????????? , ?????????????? “. In English version: “Better a hundred friends than a hundred rubles” or “A friend in court is better than a penny in purse”. SOME INTERESTING FACTS: Initially, this film was to be shot by Eldar Ryazanov, who by that time had already created the film Carnival Night in collaboration with screenwriters Boris Laskin and Vladimir Polyakov. It was he who came up with the original name – Don’t have a hundred rubles! However, at the very last moment, Ryazanov refused to shoot in favor of the film “A Girl Without an Address”, which brought on many problems. The filmmaker considered that “a mediocre, gray, uninteresting picture would bring much more harm to everyone”. A number of scenes were filmed in Tiraspol. In particular, the Tiraspol House of Soviets in one of the episodes acts as the building of the Ministry of Finance, where the heroes of the film bring the found treasure. The director of the local history museum Ivan Andreevich Bazhanov becomes the owner of the Old Russian testament, according to which there is an ancient treasure not far from a small town. Bazhanov, being an enthusiast of his business, together with his neighbor – an amateur driver Gulyaev – goes to look for treasures. On the way, they decide to give a lift to the city of the girl Nadia, who has excellent vocal abilities. Soon they come across an eccentric woman-biologist Koretskaya, who lags behind the bus. Friends decide to give her a lift too. But the circumstances are such that both Nadya and Koretskaya become members of an expedition to search for ancient treasures. Soon the treasure hunters meet funny musicians and a cameraman, whom they also decide to take with them. But it turned out that the will was fake and was drawn up by order of the deputy Bazhanov – an uncultured bourgeois who wants to “sit up” his boss and, during his absence, take his place. Nevertheless, treasure hunters find ancient Russian treasures, and the most precious thing – sincere friendship and great human love. Kheifits Mikhail Issokhorovich (1915 – 1985). 1915 Born in the village of Novye Sanzhary, Poltava province. 1940 Graduated from the Moscow Institute for Advanced Studies of Artists. 1948 Beginning of work at Reklamfilm. The first posters were executed jointly with L. Since 1956 Artist of the creative association “Agitplakat” and the Institute of Health Education. 1976 Bronze medal at the International Health and Education Poster Competition in Bologna. 1985 Died in Moscow. Author of articles on posters, published in special magazines. Major works: “Quality – common concern” (1976), Each pipe – a filter! Marx “(1978), ” Technical re-equipment of industry – the most important task of the tenth five-year plan “(1978), ” Take care of working time (1978). Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60. Listing and template services provided by inkFrog.

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It’s stronger than me. Approx 21″ x 34″. Has some torn spot. See photos for condition. Any translation is from Google. Not responsible for translation. We have over 650 vintage foreign movie cinema propaganda posters. We will be posting.

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Original film title on the poster. Original (transliteration) film title. Information Literal (translation) English title. IN: 22 ½ x 35= CM: 57 x 89. VERY GOOD, VERY THIN PAPER. Original vintage Soviet movie poster. For the documentary film. “Kachestvo” produced by Leningrad Studio of Documentary Films (LSDF) at 1976. In the central composition of the poster features a flag banner with the The State quality mark of the USSR Russian:??????????????????????????????? , translit. Gosudarstvennyi znak kachestva SSSR was the official Soviet mark for the certification of quality established in 1967. It was used to mark consumer, production, and technical goods to certify that they met quality standards and, in general, to increase the effectiveness of the production system in the USSR. The goods themselves or their packaging were marked, as was the accompanying documentation, labels or tags. Rules of its use were defined by GOST, an acronym for’state standard’ (gosudarstvennyy standart). The happy worker is holding is his hand “The Guarantee Passport” Rus. ????????????????? Was signed by the site manager, chief engineer and chief accountant. Consequently, it acquired the meaning of a financial document having legal force, it was approved by the order of the USSR Ministry of Trade, USSR State Standard and the order of the RSFSR Council of Ministers of January 31, 1975. KHAZANOVSKIY MIKHAIL NAKHMANOVICH (NAUMOVICH) (1912 – 1990) – Soviet graphic artist, poster artist; He is best known as a master of film posters. Member of the USSR Union of Artists. Honored Artist of the RSFSR (1964). He worked in the field of easel graphics, advertising and political posters Women and girls! Let’s replace the men who went to the front! In 1945 the artist moved to Moscow. In the 1940s-1980s, he constantly worked in the field of propaganda posters, including social and political ones. Author of posters: Okno-TASS No. 48, Pies and donuts. Bruises and bumps “(1943), ” Be equal to the leaders, earn the award of the Motherland! ” (1948), “Builders of mining villages! Wider socialist competition for the early fulfillment of the annual plan for the construction of residential buildings for miners! Serviceable mechanisms will ensure the timely completion of construction work, increase workers’ earnings… “(1950), ” Follow the military regulations – be smart and brave! ” (1954), “Schoolchildren get skills in manual labor! ” (1955), “We need to learn to work – the work of the master is afraid! ” (1955), “Building life on virgin soil! ” (1955), “Let’s Clear the World! ” (1960), “For freedom and independence! ” (1973), “The Communists are the Standard Bearers of the World! Made several social posters together with the artists M. “, “Builders of mining settlements! He is the author of the agricultural poster Where the veterinary service is in friendship with the people, the cows are always healthy there! Poster For the Loads of Agriculture – Green Street! ” was positively assessed by critic ML Ioffe in his article “Campaign posters on agricultural themes” Journal “Art No. One of the leading masters of the film poster genre in the USSR. Collaborated with the publishing house “Reklamfilm”. Author of posters for famous films: “The House I Live In” (1957), “The Communist” (1958), “The Idiot” (1958), “The Last Inch” (1959), “Colleagues” (1963), “Alive and dead “(1963), ” Ordinary Fascism “(1965), ” Workers’ Village “(1966), ” Chief of Chukotka “(1966), ” By the Lake “(1970), ” Pirates of the 20th Century “(1980), ” Tehran- 43 “(1981). Mikhail Khazanovsky won 1st prize at the International Competition for Contemporary Film Poster (1962, Karlovy Vary). Diplomas of the Moscow branch of the Union of Artists of the USSR for the best posters of the year (1965, 1966, 1967). Khazanovsky are kept in the collection of the Russian State Library, the State Museum of Political History of Russia, the State Central Museum of Cinema, the Voronezh Regional Museum of Local Lore (VOKM), the Yaroslavl Art Museum, the Vyborg United Museum-Reserve, the Gelendzhik Museum of History and Local Lore, the Central Museum Taurida (WTC), KGIAMZ them. ED Felitsyn, the National Library of Belarus, private Russian and foreign collections. Listing and template services provided by inkFrog.

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Original film released title (on the poster). English speaking released title. IN: 26 x 41 = CM: 66 x 103. ROLLED, USED TO BE FOLDED. Original Soviet poster for the movie ” Ugryum-reka ” is a Soviet four-part television feature film directed at the Sverdlovsk Film Studio in 1968 by director Yaropolk Lapshin. The film is an adaptation of the novel of the same name by Vyacheslav Shishkov. Diploma “For serial film adaptation” – Yaropolk Lapshin, 1969, VTF. Vasiliev Brothers State Prize (1970, to actress Lyudmila Chursina for her roles in the films Virineya, Zhuravushka, Gloom River). The action takes place in the late 19th – early 20th centuries around the Gromov family. The grandfather of the main character of the film, Danila Gromov, was engaged in robbery and became rich on this. Prokhor Gromov turned out to be a purposeful person with a strong character, which led him to the pinnacle of wealth and power in the Siberian region. However, the evil done by Danila seemed to persecute the whole family in all generations. Misfortunes in the Gromov family happen one after another. Prokhor, originally an honest and moral man, is bogged down in a swamp of evil. Unable to withstand emotional turmoil and hard work, Prokhor eventually goes crazy and throws himself off the cliff into the river. Afanasy Kochetkov, Victor Chekmarev, Georgy Epifantsev, Valentina Vladimirova, Lyudmila Chursina. KHOMOV NIKOLAY MIKHAYLOVICH (1903 – 1973) Famous artist, an outstanding master of poster. Honored Artist of the RSFSR. Created over 500 film posters from 1926 to 1973. The father of the film poster artist Daniil Khomov. 1903 Born in the Polish city of Chelm in the Krylov settlement the settlement is part of the city behind the fortress wall, there lived artisans, burghers, Jews (the oldest Jewish community in Poland) Chelm – 25 km from the border with Ukraine. Graduated from the Art and Industrial School in Mariupol. During the Civil War he was in the ranks of the Red Army. From 1926 he worked in film posters. 1928 Graduated from Vhutein in Moscow. He fought in the Great Patriotic War. As a reserve officer (quartermaster of the third rank – captain), he fought as a private because of the loss of documents at the military registration and enlistment office. He went from the south to the baltics and ended in Königsberg, and during the civil war he fought as a volunteer in the cavalry. He was awarded an order and medals, as well as thanks from the command. Not a single wound in two wars. Since 1964 Honored Artist of the RSFSR. 1973 Died in Moscow. Original title on the poster. I’m a paragraph. Mention details and specifications that you believe are relevant to your buyers. CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002). Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions ” Russian social poster “in the USA (1991-92), Perestroika. Glasnost in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. Yalta Hotel – is still working nowadays under the same name. In: 16×26 – cm: 40×60. Listing and template services provided by inkFrog.

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Original title on the poster. IN: 25 x 39 = CM: 64 x 100. Original vintage Soviet poster (from the first release of this movie in Soviet Union – February 1955) for the Czechoslovakian film – “Frona” also known as “Sestry” (Czh), “The Sisters” (Engl). Much has changed in the Czechoslovak countryside during the years of people’s power. The kulaks (reach family) have lost their former power, poverty and the need of land-poor peasants are a thing of the past. But they still have a strong attachment to their field, to their border. They are skeptical about the success stories of agricultural cooperatives. The former owners of the village play on this attachment to the old. One of them is the former kulak Zobach G. Where by cunning, where by bribery Zobach tries to keep the boundaries. He consoles himself with the thought that the people’s republic will not last long, that the old order will be restored and, as before, half of the village will work on its fields. Against the background of the struggle between the new and the old, an acute conflict is brewing in the Zobach family. His son Florish Y. Pantik is married to the daughter of a poor peasant, Filipek. Hard-working, strong Frona G. Chelkova is a godsend for the old man Zobach. The whole burden of housework falls on her. Frona does not like her husband, who spends almost all the time in the tavern, but she expects to receive a plot of land from Zobach and therefore works, sparing no effort. Frona is even ready to sacrifice her feelings for the simple peasant guy Yuro O. Latskovich, whom she has secretly loved for a long time. Zobach knows Frona’s cherished dream and, playing on her hopes of getting “his” land, holds it tightly in his hands. Flourish hates and fears his father. He is sure that the past is over, that there will be no return to the old. If not for his father, Flourish would have blown the whole household long ago. The Zobach family is opposed in the film by the old Filipek, the chairman of the cooperative F. All his life he worked tirelessly, but did not acquire much wealth. His only joy is his daughters: the elder Frona and the younger Marisha M. Stepekalova, who is studying at the courses of tractor drivers. Hana Hegerová, Gustav Hilmar, Július Pántik. KHAZANOVSKIY MIKHAIL NAKHMANOVICH (NAUMOVICH) (1912 – 1990) – Soviet graphic artist, poster artist; He is best known as a master of film posters. Member of the USSR Union of Artists. Honored Artist of the RSFSR (1964). He worked in the field of easel graphics, advertising and political posters Women and girls! Let’s replace the men who went to the front! In 1945 the artist moved to Moscow. In the 1940s-1980s, he constantly worked in the field of propaganda posters, including social and political ones. Author of posters: Okno-TASS No. 48, Pies and donuts. Bruises and bumps “(1943), ” Be equal to the leaders, earn the award of the Motherland! ” (1948), “Builders of mining villages! Wider socialist competition for the early fulfillment of the annual plan for the construction of residential buildings for miners! Serviceable mechanisms will ensure the timely completion of construction work, increase workers’ earnings… “(1950), ” Follow the military regulations – be smart and brave! ” (1954), “Schoolchildren get skills in manual labor! ” (1955), “We need to learn to work – the work of the master is afraid! ” (1955), “Building life on virgin soil! ” (1955), “Let’s Clear the World! ” (1960), “For freedom and independence! ” (1973), “The Communists are the Standard Bearers of the World! Made several social posters together with the artists M. “, “Builders of mining settlements! He is the author of the agricultural poster Where the veterinary service is in friendship with the people, the cows are always healthy there! Poster For the Loads of Agriculture – Green Street! ” was positively assessed by critic ML Ioffe in his article “Campaign posters on agricultural themes” Journal “Art No. One of the leading masters of the film poster genre in the USSR. Collaborated with the publishing house “Reklamfilm”. Author of posters for famous films: “The House I Live In” (1957), “The Communist” (1958), “The Idiot” (1958), “The Last Inch” (1959), “Colleagues” (1963), “Alive and dead “(1963), ” Ordinary Fascism “(1965), ” Workers’ Village “(1966), ” Chief of Chukotka “(1966), ” By the Lake “(1970), ” Pirates of the 20th Century “(1980), ” Tehran- 43 “(1981). Mikhail Khazanovsky won 1st prize at the International Competition for Contemporary Film Poster (1962, Karlovy Vary). Diplomas of the Moscow branch of the Union of Artists of the USSR for the best posters of the year (1965, 1966, 1967). Khazanovsky are kept in the collection of the Russian State Library, the State Museum of Political History of Russia, the State Central Museum of Cinema, the Voronezh Regional Museum of Local Lore (VOKM), the Yaroslavl Art Museum, the Vyborg United Museum-Reserve, the Gelendzhik Museum of History and Local Lore, the Central Museum Taurida (WTC), KGIAMZ them. ED Felitsyn, the National Library of Belarus, private Russian and foreign collections. Some movie posters at the turn of 1940-50. Created in collaboration with L. From the unity of democratic anti-imperialist forces of the world, from their determination to fight for peace and security, for genuine democracy and socialism depends the future of the world. DIMITROV Dimitrov Georgi Mikhailov (1882 – 1949) is an activist of the Bulgarian and international communist movement. Dimitrov was called the “Bulgarian Lenin” and the leader of the Bulgarian people. After his death, he built a mausoleum in Sofia, like Lenin’s. In: 23×35 – cm: 57×87. Listing and template services provided by inkFrog.

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Original Russian film title on the poster. Original (transliteration) film title. English released film title. IN: 20 x 26? = CM: 51 x 67. Original vintage Soviet movie from the first release of the film in Soviet Union – 5 November 1954. “A Big Family” – feature film by Iosif Kheifits based on Vsevolod Kochetov’s novel The Zhurbins (1952; not to be confused with the play by the same author “The Zhurbin Family”, 1954). In the center of the film are the fates of members of the working-class Zhurbin family, a family typical of Soviet society. Filming costed 3.419.000 rubles. The film is a laureate of the Cannes Film Festival for 1955 in the nomination “Best ensemble cast” (“For the best cast”; French “Prix d’interprétation collectif”, English “Collective Acting Prize”). The poster has a few light creases and pinholes around the edges. It is otherwise in generally nice condition. The film tells about a large family of Zhurbins – hereditary shipbuilders. Three generations live together: grandfather Matvey, his son Ilya Matveyevich, four sons of Ilya Matveyevich (Viktor, Konstantin, Anton and Alexei) and the youngest daughter Antonina. The youngest son of Ilya Matveyevich, Alexei, is distinguished by the most complex character and through the most complex vicissitudes of the plot; he separated from the family, intending to marry, but his beloved girl Katya is carried away by the head of the club, who leaves her when he finds out that she is pregnant. Alexei finds the strength to forgive her and bring her back with a small child. In connection with the reorganization of production, many family members have to change their profession. Ilya Zhurbin is trying to learn the basics of algebra in order to keep up with others, and quarrels with his old friend master Basmanov, who believes that their time has already passed. Member of the Union of Artists of the USSR. He lived in Moscow. Since the beginning of the 60s he worked a lot and fruitfully in the field of film posters, created many interesting sheets, including for very famous films: “Under the Sky of Sicily” (1961), “Come Tomorrow” (1963), “Republic Shkid” (1966), “Quiet Don” (1967), “Officers” (1971), “Property of the Republic” (1972), “Pirates of the XX century” (1980). Collaborated with the publishing house IZOGIZ. Performed agricultural posters, including together with the artist E. Pozdnev (“Hello to the participants of the All-Union Agricultural Exhibition”, 1955). In 1958 he took part in the large-scale exhibition “Posters and Satire in 40 Years in the Works of Moscow Artists”. In the 1960s and 1970s, Aleksandr Lemeshchenko performed social and political posters: “The country’s winged defense is famous for its high rise” (1967, together with SI Datskevich), “Leninism is the banner of the era of revolutionary revelation of the world” (1969). Lemesheno worked in the creative-production workshop “Agitplakat” of the USSR Union of Artists, was a member of its editorial board. The author of the poster dedicated to space The air distances became close to us, we were the first to know the way into space. Under the banner of the party, our country is striving into the vastness of communism! He also worked a lot and fruitfully in the field of film posters. He worked until the end of his life, in 1984 he died in Moscow. Circulation posters of Lemeshchenko are kept in the Russian State Library, in private Russian collections. The works of Alexander Mikhailovich are capacious and at the same time laconic. Listing and template services provided by inkFrog.

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Vintage 1950’s Soviet Russian Movie Poster” Twins’. Size – approximately 20 inches high x 28 inches wide, 50 cm high x 70 cm wide. Medium – print on paper. Condition – some wears, folded paper, holes in the center of the artwork. I have presented for sale this item precisely and honestly with the best of my knowledge and ability. I encourage you to look at my other auctions for a great variety of rare items. I want to tell you that not every time is possible items to be packed together. Every item is packed carefully and professional. We advise you to use a reputable carrier service when returning your goods. We usually respond within 24 hours on weekdays. Thank you for visiting our.

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Vintage Russian Soviet Movie Poster – Ivanna 1959. Size – approximately 27 inches x 19 inches, 68cm x 48cm. Medium – print on cardboard. Condition – good, got some spots, wears and scratches. I have presented for sale this item precisely and honestly with the best of my knowledge and ability. I encourage you to look at my other auctions for a great variety of rare items. I want to tell you that not every time is possible items to be packed together. Every item is packed carefully and professional. We advise you to use a reputable carrier service when returning your goods. We usually respond within 24 hours on weekdays. Thank you for visiting our.

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Vintage Soviet Russian Movie Poster – Chelovek s ruzhyom 1938. Size – approximately 24 inches high x 17 nches wide, 60cm high x 43cm wide. Medium – print on cardboard. Condition – got wears and scratches, tears on the edges. I have presented for sale this item precisely and honestly with the best of my knowledge and ability. I encourage you to look at my other auctions for a great variety of rare items. I want to tell you that not every time is possible items to be packed together. Every item is packed carefully and professional. We advise you to use a reputable carrier service when returning your goods. We usually respond within 24 hours on weekdays. Thank you for visiting our.

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